• Baixar Filmes Dublados

• Baixar Filme Eldorado 2: Em Busca do Templo Perdido Dublado June 5, 2013 by 1pepeu in Download de filmes, DVDRip, Filmes Dublados, Filmes gratuito, Idioma em Portugues, Servidor 2shared, Servidor BitShare, Servidor DepositFiles, Servidor Megaupload, Servidor Pyramidfiles.
• The road to el dorado trailer. Lendas do crime torrent 2015 bluray 720p e 1080p download. Lev stepanovich howard hawks. All roads lead to rome 2015 torrent download. Undercurrent directed by vincente minnelli. Watch witness 1985 full movie hd free download. Jake grand o assistir filme completo dublado em portugues.

• • Common Sense Age 12+
  • Critics Consensus 100%
  • HD
  • CC

Title details and video sharing options. Now playing El Dorado - (Original Trailer) John Wayne and Robert Mitchum take on a corrupt cattle baron in Howard Hawks' El Dorado (1967).

• • 2 Hours 6 Minutes

Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked 'businessmen.' The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humour, El Dorado delivers the goods. James Caan and Ed Asner co-star.

• • Rent $3.99
  • Buy $14.99

Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked 'businessmen.' The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humour, El Dorado delivers the goods. James Caan and Ed Asner co-star.

• • Rent $3.99
  • Buy $14.99

Ratings and Reviews

Critics Consensus:

Classic Western has violence, alcoholism, stereotyping.

Cast & Crew

Viewers Also Bought

See All

El Dorado Blu-ray Review

A Gallant Knight

Reviewed by Michael Reuben, March 11, 2014
Having just experienced a rare flop with the racing film Red Line 7000 (1965), director Howard Hawks did not feel like taking chances. Although there are many differences—and the differences are what make it interesting—Hawks raced into production with a loose remake of one his biggest hits, Rio Bravo (1959). His good friend John Wayne was always game to make another picture with Hawks, one of the two directors, along with John Ford, who firmly established the Duke's status as a Western icon. The script was freely (very freely) adapted by Hawks's regular collaborator, Leigh Brackett, from a novel by Harry Brown entitled The Stars in Their Courses, and it had Brackett's trademark tough dialogue. Wayne could always count on Hawks to assemble a solid cast, keep the production firmly under control, and hold the Hollywood suits at bay.
Still, no one could miss the fact that Hawks was repeating himself. The obvious similarities between the two films provide the basis for a joke in Get Shorty. Threatened with harm by a gangster who says that 'this time it ain't no John Wayne and Dean Martin shooting bad guys in El Dorado', movie buff Chili Palmer insists on correcting him:

That was Rio Bravo. Robert Mitchum played the drunk in El Dorado. Dean Martin played the drunk in Rio Bravo. Basically, it was the same part. Now John Wayne, he did the same in both. He played John Wayne.

Chili might have gone on to explain that James Caan played Ricky Nelson's part, Arthur Hunnicutt took over for Walter Brennan and a relative newcomer named Charlene Holt had the unenviable job of filling the high heels of Angie Dickinson.
But El Dorado has an entirely different feel from Rio Bravo

Baixar Filmes Dublados

. It's more loosely constructed, leisurely paced and finds humor at unexpected moments. Pervading the entire affair is an autumnal atmosphere best exemplified by an injury that intereferes with the ability of Wayne's character to live up to his reputation as one of the fastest draws in the West. For a director pushing seventy and a star in his early sixties, that development becomes a commentary on the challenges of aging. The events that lead to the injury anticipate the themes of guilt and regret that would not be fully explored in a major Western until Clint Eastwood's Unforgiven.

Where he was a sheriff in Rio Bravo, in El Dorado Wayne plays a gunslinger named Cole Thornton (the name may be a reference to the Duke's role in John Ford's The Quiet Man). Cole arrives in the town of El Dorado in response to an offer of work from a local landowner, Bart Jason (Ed Asner), who wants the water rights held by Kevin MacDonald (R.G. Armstrong) and his family and isn't particular about how much violence he has to apply to get them. The sheriff of El Dorado is Cole's old friend, J.P. Harrah (Mitchum), a former gunslinger and, like many sheriffs, probably a former outlaw. Cole and J.P. share an interest in a local saloon keeper, Maudie (Holt), but as soon as she sees Cole, it's clear where her heart inclines.
Once J.P. has brought his former riding buddy up to date on who's who, Cole declines Bart Jason's offer. (The scene where Cole has to back his palomino horse away from Jason and his men so that he can keep an eye on all of them is memorable.) He leaves El Dorado, but not before several encounters that leave him with a heavy heart and a long-term injury rendering him subject to unpredictable spasms that paralyze his gun hand. It's a dangerous condition for a famous gunslinger, and the local physician (familiar character actor Paul Fix) advises him to get to a major city and find a surgeon with the training to fix it before the damage becomes permanent. Cole, of course, ignores the advice.
Some months later, Cole encounters the man whom Bart Jason has hired to replace him: Nelson McCleod (Christopher George), a cool customer with a huge scar down one side of his face and a clouded eye. It is from McCleod that Cole learns that J.P. has become a drunk after his heart was broken by a woman passing through El Dorado. For that reason, McCleod doesn't expect much resistance when he goes to oust the MacDonald family from their land. Cole and McCleod part warily but amicably, in what McCleod calls a matter of 'professional courtesy'. In the process, Cole picks up a traveling companion who calls himself 'Mississippi' (Caan), because his real name is too much of a mouthful for anyone to pronounce. (Fans of Rio Bravo will recall that Ricky Nelson's character was also named after a state: Colorado.) Mississippi is handy with a knife and useless with a gun, but as soon as he hears that Cole is headed for a town called El Dorado, he begins reciting the poem of that name by Edgar Allan Poe. It's probably the only poem he knows. ('Gaily bedight, A gallant knight, In sunshine and in shadow', etc.)
The first order of business upon reaching El Dorado is to sober up J.P., which is no easy task. Much of this prairie-style 'intervention' is played for laughs, especially a noxious potion mixed by Mississippi that is supposed to quell the desire for alochol (one of the ingredients is gunpowder). Then there's the problem of Bart Jason and the newly arrived McCleod, complicated by Cole's spasms, which are becoming more frequent and severe. The MacDonalds are unreliable allies, especially hotheaded Josephine 'Joey' MacDonald (Michelle Carey), who believes in shooting first. (Mississippi, however, finds her intriguing.) Maudie is happy to see Cole but furious that he continues to risk his life. Indeed, by the time both Cole and J.P. are hobbling down the town's main street on crutches, the romantic appeal of the gunslinger's life has faded considerably.
Wayne was a great reactor, and one of the secrets of El Dorado is the strength of the cast with which Hawks surrounded his star, giving him a wide array of personalities and acting styles to which he could react. Mitchum's J.P. is Cole's equal when we first meet him, but then we see him fall to the depths that Dean Martin's 'Dude' has already reached when Rio Bravo opens— and then recover. Mitchum walks the line between comedy and pathos so gracefully that you don't even notice when he slips from one to the other, and Wayne follows him at every turn. Caan, still some years away from his career-defining performance in The Godfather, gives Wayne the chance to be irritated, admiring and amused, all at the same time. Asner and George make an ideal pair of adversaries, because Cole respects the one who's a professional like him, but has only contempt for the other, who 'rents' professionals to do his dirty work. By this point in his career, Wayne had mastered the tiniest nuance of his famous persona. His incomparable star power holds Rio Bravo together, as he navigates the sometimes meandering plot, dispensing the hard-earned wisdom that Cole Thornton has accumulated over a lifetime's experience.